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		<updated>2026-09-11T02:05:00Z</updated>
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		<id>http://elephant-talk.com/wiki/Matte_Kudasai_(Tab)</id>
		<title>Matte Kudasai (Tab)</title>
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				<updated>2021-11-01T05:30:55Z</updated>
		
		<summary type="html">&lt;p&gt;Chezyy: Added a bass tab&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Date Submitted: 2-Feb-95&lt;br /&gt;
&amp;lt;br&amp;gt;By: Scott T. Lillis (sl4q+ at andrew dot cmu dot edu)&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
---------------&lt;br /&gt;
Matte Kudasai by&lt;br /&gt;
King Crimson from&lt;br /&gt;
Discipline&lt;br /&gt;
------------&lt;br /&gt;
This song is in the Key of E in 6/8 with dotted quarter=70(per min.)&lt;br /&gt;
The central part of Bruford's rhythm is&lt;br /&gt;
Hi-Hat-|--x--x|--x--x|&lt;br /&gt;
Cymbal-|x--x--|x--x--|&lt;br /&gt;
       |^..^..|^..^..&lt;br /&gt;
[I'll leave out the part that Adrian does. And put just a guitar riff.&lt;br /&gt;
But parts of it are done on Stick, like the bass notes. Actually all the&lt;br /&gt;
notes on the low A and E strings should be played an octave lower on the&lt;br /&gt;
bass.  Also let notes ring as long as possible]&lt;br /&gt;
|------|------|------|------|------------|&lt;br /&gt;
|------|------|---7-5|------|------------|&lt;br /&gt;
|---6-4|------|---6-4|--/6/6|------------|&lt;br /&gt;
|---6-4|---4-2|------|--/6/6|------------|&lt;br /&gt;
|------|---4-2|------|------|------------|&lt;br /&gt;
|0-0---|--0---|--0---|--0---|----0-2-3-4-|&lt;br /&gt;
|^..^..|^..^..|^..^..|^..^..|^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|------|------|------|------|------------|&lt;br /&gt;
|------|------|---7-5|--/7/7|------------|&lt;br /&gt;
|---6-4|------|---6-4|--/6/6|------------|&lt;br /&gt;
|---6-4|---4-2|------|------|------------|&lt;br /&gt;
|------|---4-2|------|------|------------|&lt;br /&gt;
|0-0---|--0---|--0---|--0---|----0-2-3-4-|&lt;br /&gt;
|^..^..|^..^..|^..^..|^..^..|^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|---2-0|------|---7-4|------------|--------0---|&lt;br /&gt;
|---2-0|------|---7-5|------------|------2---2-|&lt;br /&gt;
|------|---4-1|------|------------|----1-------|&lt;br /&gt;
|------|---4-2|------|------------|--4---------|&lt;br /&gt;
|------|------|------|------------|------------|&lt;br /&gt;
|0-0---|--0---|--0---|----0-2-4-3-|2-----------|&lt;br /&gt;
|^..^..|^..^..|^..^..|^ . . ^ . . |^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|------------|--------0---|------------|--------0---|&lt;br /&gt;
|--2-------2-|------2---2-|--2-------2-|------2---2-|&lt;br /&gt;
|1---1---1---|----1-------|1---1---1---|----1-------|&lt;br /&gt;
|------4-----|--4---------|------4-----|--2---------|&lt;br /&gt;
|------------|------------|------------|------------|&lt;br /&gt;
|------------|2-----------|------------|0-----------|&lt;br /&gt;
|^ . . ^ . . |^ . . ^ . . |^ . . ^ . . |^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|------------|--------0---|------------|--------0---|&lt;br /&gt;
|--2-------2-|------2---2-|--2-------2-|------2---2-|&lt;br /&gt;
|1---1---1---|----1-------|1---1---1---|------------|&lt;br /&gt;
|------4-----|--2---------|------4-----|----4-------|&lt;br /&gt;
|------------|------------|------------|------------|&lt;br /&gt;
|------------|0-----------|------------|2-----------|&lt;br /&gt;
|^ . . ^ . . |^ . . ^ . . |^ . . ^ . . |^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|------------|--------0---|------------|&lt;br /&gt;
|--2-------2-|----------2-|--2-------2-|&lt;br /&gt;
|1---1---1---|------2-----|1---1---1---|&lt;br /&gt;
|------4-----|----4-------|------4-----|&lt;br /&gt;
|------------|------------|------------|&lt;br /&gt;
|----9---16--|14----------|------------|&lt;br /&gt;
|^ . . ^ . . |^ . . ^ . . |^ . . ^ . . |&lt;br /&gt;
&lt;br /&gt;
|---5-4|---4-2|---4-2|------|&lt;br /&gt;
|---7-5|---5-4|---4-4|------|&lt;br /&gt;
|------|------|------|------|&lt;br /&gt;
|------|------|------|------|&lt;br /&gt;
|0-0---|--0---|--0---|--0---|&lt;br /&gt;
|------|------|------|------|&lt;br /&gt;
&lt;br /&gt;
[It follow this basic pattern throughout the song. Though many of the&lt;br /&gt;
two-note chords are played at different octaves and/or inversions.]&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;Date Submitted: 18-Feb-98&lt;br /&gt;
&amp;lt;br&amp;gt;By: Uwe Hoppe (uwhopp at aol dot com)&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
         SOME NOTES ON KING CRIMSON'S &amp;quot;MATTE KUDASAI&amp;quot;&lt;br /&gt;
         ============================================&lt;br /&gt;
&lt;br /&gt;
Scott T.Lillis has already transcribed the main riff from King Crimson’s&lt;br /&gt;
&amp;quot;Matte Kudasai&amp;quot;. The following is therefore an attempt to transcribe&lt;br /&gt;
most of the missing parts of that great, great song. As a matter of fact,&lt;br /&gt;
Scott’s transcription proved to be so helpful for me that I feel obliged to&lt;br /&gt;
contribute something myself. I guess I have to apologize for the poor quality&lt;br /&gt;
of the transcription but this is the first time I’m trying something like&lt;br /&gt;
that, and my knowledge of musical theory really isn’t worth talking about.&lt;br /&gt;
Nevertheless, I hope that these notes are useful for some of your readers.&lt;br /&gt;
My comments on the song basically refer to the version found on &amp;quot;Discipline&amp;quot;&lt;br /&gt;
(1981) as it seems to be the one which is better known than the one on&lt;br /&gt;
&amp;quot;B'BOOM (Official Live Bootleg)&amp;quot;. I personally prefer the live version&lt;br /&gt;
where Adrian's slide solo sounds much more confident. He is surely a hell of&lt;br /&gt;
a slide player and certainly one who avoids all of the cliches usually&lt;br /&gt;
attributed to that style of playing guitar.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
After the introductory drone in E (played either on a synth or guitar synth)&lt;br /&gt;
the two guitarists play something like this:&lt;br /&gt;
&lt;br /&gt;
Robert:&lt;br /&gt;
--------------------9-----I----------------9------------e&lt;br /&gt;
--------------------10----I---------------10----------- b&lt;br /&gt;
--------------------9-----I----------------9------------g&lt;br /&gt;
--------------------9-----I----------------9------------d&lt;br /&gt;
--------------------9-----I----------------9------------A&lt;br /&gt;
--------------------0-----I----------------0------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Adrian:                                 hold note, then slide up&lt;br /&gt;
---16 / 12---14-----------I-----------------------------e&lt;br /&gt;
-------------------14-----I-----9/ 10---12 / ---9------ b&lt;br /&gt;
--------------------------I-----------------------------g&lt;br /&gt;
--------------------------I-----------------------------d&lt;br /&gt;
--------------------------I-----------------------------A&lt;br /&gt;
--------------------------I-----------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The penultimate note of this introductory phrase should be held&lt;br /&gt;
until the riff starts that Scott has already transcribed.If you&lt;br /&gt;
use a chorus pedal you get very close to the sound of the&lt;br /&gt;
original recording. By the way, the very last part of the riff&lt;br /&gt;
sounds a little fuller if you play it like this:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------------------I------------------I--------------7--e&lt;br /&gt;
----------11-----9----I----------9----7--I-------7------9--b&lt;br /&gt;
-----------9-----9----I----------9----8--I-------8------8--g&lt;br /&gt;
----------11-----9----I----------9----9--I-------9------7--d&lt;br /&gt;
---0--0----0-----0----I----0----------0--I---0---------(0)-A&lt;br /&gt;
----------------------I------------------I-----------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
After that Adrian starts doing what he’s best known for: imitating&lt;br /&gt;
animal noises on his guitar in a very realistic manner. The bird&lt;br /&gt;
whistle phrase that he is doing is possibly best achieved by using&lt;br /&gt;
the bridge pick-up (it seems that he is using the neck pick-up for&lt;br /&gt;
most of the slide solo) and sliding up and down below the fretboard.&lt;br /&gt;
As for my part, I could not figure out what exactly he is doing there.&lt;br /&gt;
Anyway, have a try and go for the really high pitched notes.&lt;br /&gt;
&lt;br /&gt;
The second bit is based on the vocal line. Because of this, the phrasing&lt;br /&gt;
is extremely important. Listen closely to the recording to hear which&lt;br /&gt;
notes are emphasized, how long the notes are, where vibrato is added etc.&lt;br /&gt;
It also seems that Adrian uses either a volume pedal or even the volume knob&lt;br /&gt;
of his guitar to fade in notes. By the way, the whole line sounds very nice&lt;br /&gt;
if you add some reverb and/or some delay.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
---------------11--12 ------I---------------12/  14----12--12--e&lt;br /&gt;
--7/ 9--7/ 5-----------12---I--7/ 9---7/ 5---------------------b&lt;br /&gt;
----------------------------I----------------------------------g&lt;br /&gt;
----------------------------I----------------------------------d&lt;br /&gt;
----------------------------I----------------------------------A&lt;br /&gt;
----------------------------I----------------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
-16/ 12---12---14--------------e&lt;br /&gt;
--------------------14---------b&lt;br /&gt;
-------------------------------g&lt;br /&gt;
-------------------------------d&lt;br /&gt;
-------------------------------A&lt;br /&gt;
-------------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
------------------------I-12/  16---14---12----------e&lt;br /&gt;
--9-9--10/ 12-----------I--------------------13------b&lt;br /&gt;
------------------------I----------------------------g&lt;br /&gt;
------------------------I----------------------------d&lt;br /&gt;
------------------------I----------------------------A&lt;br /&gt;
------------------------I----------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----------12------------I-12/ 11---------------------e&lt;br /&gt;
-12/ 10-----------------I--------12---10/  9---------b&lt;br /&gt;
------------------------I----------------------------g&lt;br /&gt;
------------------------I----------------------------d&lt;br /&gt;
------------------------I----------------------------A&lt;br /&gt;
------------------------I----------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
During the vocal parts Adrian uses small bits and pieces of&lt;br /&gt;
the part described above.&lt;br /&gt;
The final lick is something like this:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
-----------------------------------e&lt;br /&gt;
-17/  16---16/  14-----14/  9------b&lt;br /&gt;
-----------------------------------g&lt;br /&gt;
-----------------------------------d&lt;br /&gt;
-----------------------------------A&lt;br /&gt;
-----------------------------------E&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Uwe Hoppe&lt;br /&gt;
uwhopp at aol dot com&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;Date submitted: 1st of November, 2021&lt;br /&gt;
&amp;lt;br&amp;gt;Submitted by: Chezyy&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
----------------------------------&lt;br /&gt;
= Matte Kudasai - King Crimson =&lt;br /&gt;
= Bass Tabs =&lt;br /&gt;
----------------------------------&lt;br /&gt;
&lt;br /&gt;
The bass tabs for this one is real simple. This just repeats throughout the entire song.&lt;br /&gt;
&lt;br /&gt;
G ---------------------------------------------------------------------&lt;br /&gt;
D ----------------------------------2--------------------------------2-&lt;br /&gt;
A ---------------------------------------------------------------------&lt;br /&gt;
E 0-0------0------0------0------0234-0------0------0------0------0234-0&lt;br /&gt;
&lt;br /&gt;
G ---------------------------------------------------------------------&lt;br /&gt;
D ---------------------------------------------------------------------&lt;br /&gt;
A ---------------------------------------------------------------------&lt;br /&gt;
E ------0------0------0------02432------------2-----------0-----------0&lt;br /&gt;
&lt;br /&gt;
G ------------------------------------------------------------------&lt;br /&gt;
D ----------------------4~6-4---------------------------------------&lt;br /&gt;
A -------------------4-------------------0-0------0------0----------&lt;br /&gt;
E ------------2-------------------------------------------------0234&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;/div&gt;</summary>
		<author><name>Chezyy</name></author>	</entry>

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